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Scheduling & what makes an album

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Created: 01 March 2020

Ah the peaceful life. Sort of.

Mr Wizard has been scheduling the rest of 2020 and we're even peering into the dim mists of the future for various things.

There comes a point where concepts and the future drop below the event horizon. and it becomes a Best Hope, rather than a Plan.

Carl said to me during the tour, we have a 60% hit rate on set lists, in terms of varying from the printed order.

I asserted that 60% is a good strike rate, considering the variable types of shows and locations, times, crowd and vibes. That in fact our ability to shift to find the right rhythm for the right moment is a strength.

I may have also indicated that anyone else who wants to drive the bus is welcome to take the wheel. I may have used another metaphor and more colorful language, but that comes with the territory.

Captain? 

Captain.

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This is illustrative of 'planning'.

Whatever our intentions may be, circumstances quickly supersede proposed direction.

Unexpected Albums

The 5th US tour was all about the unexpected. Amen to that.

Making another album was predictable, we like that sort of thing after all, yet doing it in Clarksdale, and with songs we'd written in Memphis was quite unexpected.

The chain of causality was hard to follow - We cancelled some shows after Millage's son got sick and Millage had to cancel, leaving us with time to finish writing. We had a gap in our schedule as a result and...well...so.

This brings us to the current discussion of 'What makes an album'

What Makes an Album

See? It's even got its own title.

For Theo & Mr Wizard: an album is about quantity.

We have 4 tracks recorded in Clarksdale, another 4-6 written/worked on in Memphis or on tour and then everything else.

Sonic quality and Concept are more my kind of categories. 

I reckon we can call 7 songs, all in the same basic mental concept, with some sort of sonic relationship, an album.

I prefer the term 'record', as it's a record of where we were and what we were into.

Dr Rock has started me thinking in "era's".

Each of the albums has been it's own sonic and thought concept.

Allow me to repeat and refine from an earlier blog I may have expressed these opinions in -

1. Whiskey Talking was Blues without 12 Bars. Recorded inexpensively, one studio, no particular sound in mind.

2. Spacejunk - Analogue lunacy. Shredding tapes, motor control issues, live sound problems. Everything was recorded and mixed analogue. Why? Cos that's what we were into. I also note that Mr Wizard & Theo don't consider this an album, but an EP as it's only 6 tracks. The Marketing Department begs to differ.

3. Nuevo Retro - Blues without borders. Our first time finding our own style and taking bigger risks. Same studio production quality, some sonic flaws when things went wrong with the rhythm section.

4. Carl's Chair - Live, on location sound and when we went all O Brother Where Art Thou. That's where we got into trouble for writing Trans Genre pieces. Oops.

5. Hired Guns & Borrowed Glory - on location again, fusions styles. Guitar amps housed inside massive boxes to insulate the drums sound, madness.

6. The Curious Assembly. Rule book out the window. Each song with it's own sonic style. The differences were the point. The consistent element was change. 11 studios. 

7. Everywhere Feels Like Home - a sound track. Recorded here, there, a sonic travelogue.

8. Kansas City Gold - a production disaster on top of a tour disaster (hi Qantas) turned into a triumph thanks to some hard core technical work and perseverance. We'll never get that sound twice because it's a never to be repeated process. No, seriously. 

9. Defiance - The Mid Western sound, we-wish-we-were-tom-petty and beyond. Sonically impeccable. The precise opposite of what we experienced with KCG. Smooth sailing, easy, well planned, well executed. Would 100% do it again the same way.

10. Safe Harbour - Artsy beyond all reasonable belief, experimentation with location sounds, real world locations effects on writing, hoo boy some completely wacko stuff. Flamenco, Trance. 

11. Rogue State - Rules? Nah. Sonic quality? Wall of sound. No mercy. A tribute to Sydney and Aussie Rock. Nostalgic, bittersweet, a real chunk of 'white city' (hi Pete!) but about our own hometown.

So where to from here?

L, our favourite Aztec, said that Rogue State was completely unexpected. That's a compliment.

PL was listening to the double release of Safe Harbour/Rogue State and wrote me initially, 'this first one is boring' and then shortly after 'but this 2nd one is exciting' to which I replied 'yeah, you got it' - hence the double release. From calm to hectic.

Make Voyages, attempt them, there is nothing else

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Before we wound up heading to Memphis, we had a backlog of songs to record.

Getting 'Crossfire' done took aaaaages, a little similar to the finalisation of Kansas City gold.

It's not a problem, it's an exercise in patience. It's ready when it's ready.

As a result of going to Memphis and planning the shows with Millage, we started writing stuff to suit.

'Get on home' was written for him, all bout the proposed journey and it's relevance, the things he'd told me about touring the circuit back in the 60's.

As we travelled, new stuff emerged and that meant putting aside all the other songs in the pipeline and doing the things that related to the time and place.

That's yielded some good new directions.

If we hadn't gone, we wouldn't have the songs.

Same same with Defiance, in fact, looking back over the catalogue, we have always been keenly and voluntarily affected by location.

Now that we're back, Mr Wizard wants to add another 3 songs to the Memphis/Clarksdale batch and call it an album.

For me, I'd rather see the stuff that's mentally consistent and sonically consistent grouped together.

So is an Album even relevant?

Is an Album a 20th century hold over? Does it matter?

Video games are thew new rockstars

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Music, once the province of Led Zeppelin and stratospheric monies, is now the smaller player in an increasingly fragmented market.

Humans still love music, but the 20/21st centuries + technology + societal shifts are not yet done and it's turmoil in access land.

Billions of hours of self made material being churned out, and small numbers of high value AI generated predictive winners pushed with money to try and catch a little of the last rain.

Yikes.

ML said to me, and ML is a smart cookie. He said 'Paint. You're a painter. Paint.'

k so that was symbolic. I mean I'm not a painter (does photoshop count?) and he's a mastering engineer, but the idea was solid.

So we paint.

Streaming? Singles? I dunno.

Can't solve that one. Beyond event horizon.

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is 7 songs an album?

Do people buy albums?

Is it even something to entertain?

As I cannot work that out, I propose instead to finish the work and then see what happens.

What's the worst it could be? We release two?

Practicality

It's good to be active, working, and following a path.

This will take the time it takes; our resources are not unlimited.

I read somewhere 'let thy limitations be thine art'.  I am not sure what that means exactly, but it comes to mind.

When we were in Clarksdale, Gary and I had some discussions on sonic quality. I'm interested in their sound. 

I'd like to keep the stuff that's connected in that way together. I can't hold back the torrent of other work that's out there and we can't do everything at once.

Aaaaand were back to planning and scheduling.

See what I did there?

TL:DR - making album 12 is prompting album 13 and maybe albums don't exist and it's just a bunch of songs, but I still have to arrange studio time and also finish writing.

So there.

Good times, good times.

Read more: Scheduling & what makes an album

Recovery week - post tour blogging

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Created: 25 February 2020

Driving on the Left Hand side of the road.

Waiting for your body clock to reset to local Sydney Time.

Remembering to book sound engineers for coming gigs.

These are the things that happen after your touring is done.

It's 7am, my brain seems to be returning to local time faster than I expected. There has been some internal debate about which side of the street is the 'right' side to drive on (the left) but all things considered, this has been a pretty soft landing.

When we left, the fires were still going, the smoke was still awful. We missed the floods.

At least they put the fires out.

There's the sense of calm that I'm used to here. Sydney drivers are still aggressive, reminds me a little of Texas drivers (all y'all are crazy).

We have a much needed but unintended month off, which we will each put to good use. The tour was a lot of work, both before and during. 

Of course, being who we are, work continues.

SC12 in production

SC12 - the twelfth album, is unexpectedly in production. If we had longer in Clarksdale, we may have finished it there.

As it stands, 4 songs are in mixing and another 3 that were written there are in development.

I'm ok with a short release, Mr Wizard thinks we have to have a minimum number of tracks to call it an album. I'm not so sure it matters anymore.

Nonetheless, this won't be the first time we have made an album over two continents. Kansas City Gold & Defiance featured work done here and over in the US.

I've even been able to find the same microphone, of course it's not Morgan Freeman's microphone and it may not be the precise same vintage, but it will be sonically close enough to work.

We had two more songs we could have recorded if only for a day or two more, oh well, a least one of them had some pretty risible lyrics and I am happy to have the chance to make them somewhat less awful.

SC 13?

It turns out there's quite a backlog of songwriting. Mr Wizard suggested adding 'Crossfire', which we released last year, to SC12, but nah. 

It's sonically and conceptually different and makes more sense to include in the 'Salon' project release.

By my quick math, there's enough in development for another release later this year.

The Salon project has been all about working with our mates here and writing songs for them. That plus a few of our own and I'd say we have a chance at either a double or two releases this year.

Jonesy's Tour Chronicle

Jonesy filmed a lot of stuff. He'd like to enter a doco on the tour to the Clarksdale Film Fest. We'll see what happens.

At the least I expect a few more vids and pics from the tour to surface.

Website Upgrades & Changes

I've been struggling with getting off Facebook. I think it's a bad actor in our society, yet we still use it.

While touring it was the easiest solution.

I still don't know how to work this out and it's still a major communication platform for our community.

Argh.

Every year or so I have a go at sprucing up the main site - this site has been in operation for 13 years, that's a lot of blogging.

Don't be too surprised if you come back and find I've been messing with the site.

Or not. 

Hmmm.

OZ Touring

We're looking at doing a little touring mid year, more on that as we work it out.

Upgrades and Changes

Everything changes, and so do we. 

As a Disciple of Dr Rock, spiritual advisor to the band ;-), I appreciate the concept of Era's.

Each of the albums we have made has captured where we were at, sonically and musically, at each stage.

There's some internal discussion on changes and additions to try over the next period, don't be too surprised to see a few things shifting around as we move into the next phase.

Meanwhile...

There's plenty to be done to finish the work in front of us, and more to do. Just as we like it.

It's a good time to be a self propelled artist.

Read more: Recovery week - post tour blogging

Stormcellar at Hornsby Inn Sat 22nd Feb + Special guest Sam Joole

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Created: 20 February 2020

UPDATE - our mate Sam Joole is gonna come and do a set.

WOOT.

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Yeah about that.

Back and the work continues.

Come hear da new songgggggs.


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Read more: Stormcellar at Hornsby Inn Sat 22nd Feb + Special guest Sam Joole

Week 4 - The long road home & Thank you

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Created: 20 February 2020

Touring is an intensive process, for musicians it also means a period where otherwise introverted people spend a lot of time with...people.

There's a good reason they say 'what goes on tour, stays on tour'.

For my part, a cup of tea, petting the dog and looking out my window are among my favourite ways to spend this lifetime.

It's good to be back.

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The 2020 tour has been an unending set of revelations, visitations, experiences and symbolic inferences that may take some time to process.

It'll take a bit.

To start though, we need to acknowledge the hands who lift us up.

STORMCELLAR ROLL OF GRATITUDE

Texas Johhny R, user of the C word, drinker of Clam beer, source of much support.

Mark & Susie 'Sparky' N. - our US Agent, Road Crew, Trouble Shooter, Road Master and Staunch Allies.

Steve 'Rockford' & Annette J, opener of doors and intel.

Gary & Carol V. who opened their home and hearts and took us to sing for God.

Art @ B, Roger @ C, Johnny K @ L, for making room at the Inn and allowing us a place to play for the spirits.

Dawayne G, Cathy and Cathy Q, Frank L, and Frank H for the focus of power into one night in Kansas City where what was done was pleasing to the spirits of the Blues

Jackie S for making us welcome in the place of naming where we danced our power dance.

I'd also like to thank Simple for his great kindness and service, the two angels at Avis who prayed with me after we had some rental car issues ;-).

To my bandmates - Theo & Carl who went above and beyond in supporting me when PTSD was kicking my butt somewhat, I say thank you from the bottom of my Harp.

Ditto to the wonderful Qantas ladies who offered Camoilie and Biscuits in a moment of need.

To Louis, Aztec Priest, thank you.

To Dr Rock, seer and sage, thank you.

To Cherie, whose teachings helped me get through, thank you.

Also on behalf of the band, thank you to Di Ford at the Sydney Blues Society.

To FiFi Scard for her prep work.

And to Steve 'CC' Jones, chronicleer, self appointed tour manager, security agent and constant source of wonder at the American Experience I say well done sir, and thank you.

---

It takes a profound amount of work, planning, commitment and effort to take 7 people 25,000 miles, 10 states, 1 album and back again safely.

It continues to be my great privilege and honour to serve this community of people.

These are the things our lives are made of, the people around us, what we witness, what we do.

We do this out of choice, despite the hardship, sacrifice and effort. 

If left to my own devices, much like Bilbo Baggins, I'd merely send my thoughts adventuring, not my feet, but then I would not witness what I have witnessed, feel what I have felt, and I would be, unknowing, the lesser for it.

We stood on hallowed ground, performed for the spirits past and offered sacrifice at the crossroads.

I'd tell you the rest, but you'd never believe me.

Home now, here in the ancient land of the rainbow serpent, a place with an older, deeper power, we are returned to our own dreaming.

It is done.

Until we do it again.

Meanwhile, I have tea, the fires are out and the skies have become blue again. It is a good time to be home.

 

 

Read more: Week 4 - The long road home & Thank you

Week 3 - sanctuary

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Created: 09 February 2020

felt the first flake of snow in my hand in decades, a short rare burst in Mississippi.

We had to change our travel plans around After millage was unable to join us on the tour due to a family emergency We spent a few days in Memphis writing songs and now as I write into my phone we are sitting in Clarksdale Mississippi somewhere near the crossroads eating Mississippi tamales and recording songs.

 with some seasonal warmth I had expected things would become progressively warmer but winter has returned except for today .

Our next destinations are reporting below 0°

Yikes.

 We did our first Clarksdale show last night with things to our hosts Johnny and Naomi . 

 This has been a long tour and is Rosie said to me the other day a lot hasn’t gone to plan but a lot has gone alright .

 Walking the streets of Clarksdale at dawn writing lyrics,  I was in search of salvation . :)  some interesting songs and some very interesting experiences .

 Work continues, unfortunately we are still blogging to Facebook Can see more stuff there if you want

Read more: Week 3 - sanctuary

Jackson ms show 3 feb cancelled

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Created: 04 February 2020

With great thanks to our friends at the Central Mississippi  bluesSociety , sadly, we will not be at their Monday night show tonight.

Touring aint easy :) 

Read more: Jackson ms show 3 feb cancelled

More Articles …

  1. Stories from Uber drivers - week 2 tour blog
  2. A week on the ground - us tour 5 first blog
  3. Stormcellar 5th US tour - The Minor Miracle Tour - Initial Tour dates
  4. Travellin' Mac is a steely eyed missile man and other thanks.
  5. Stormcellar on the Australian Spectrum show, tonight Jan 14, 9 midnight
  6. UPDATED TIME - 6pm start on Sun 19! Stormcellar at the Townie Jan 17 and Wickham Park Hotel Sun 19 Jan 2020
  7. Waiting for clear air, sad for cobargo, breaking up with facebook & tour planning continues
  8. Tonights show at Frankies moved to 10pm, no fundraiser
  9. Kansas City Bush Fire Support Fundraiser
  10. Stormcellar at Frankies Pizza, Thursday 9th Jan 2020
  11. They are evacuating Eden
  12. the Big Smoke continues
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